“Irrefutable verses”
by Marcello Diotallevi
The premise to this comment of mine is already included in the precedent
POST.
There is an important element to precise though: one thing is to “comment
“
the editorial story of the book one other is to judge the content of it.
I am referring to both of them.
THE VOLUME
The
print run which is of many hundreds of thousands of copies would leave
breathless even the most famous Italian author in the world; printing
location: PAPUA NEW GUINEA.
The circulation of the book takes place in several countries in the world
except Italy
where the author lives.
Italian test with facing translation ( by Milli
Depalma). All that leaves me perplexed and
curious but
here I stop.
Let us come to the written part, heart, soul, the book nerve system.
Marcello writes: “This is not a book of memories but of
recollections. Memories may be tricking because they imply feelings, the
recollection is clear and does not indulge nostalgy.
Whatever
reference to events and persons is not casual at all but belongs to moments of
life lived by the author or others, and lasts more than fifty years”.
After he
tells of himself:
“Marcello
Diotallevi was born. He has been involved in art for over than half a century
and is exempt from success anxiety. He was young actor of French speaking photo
novels and amateur motor-cyclist during the roman period. Pontifical restorer
in the pay of Pope Paolo VI.
Expert of etruscan philology, as well as groin poet and historian of chicken
(from the Indian forests to the Kentucky fried chicken).He has never tried to
reproduce to win over the benevolence of the gods. Now, he is dancing. Since 1974 he
has been dwelling in Fano but he does not live there. He will die in this
century. The never ending life does not interest him because he knows that the
Gods envy the mortals this peculiarity of theirs. After his death he’ll be remember as a sheer artist dead from fame”.
Therefore, simplifying, a diary which comprehends half century of his
life, taking
more than three hundred pages.
Though it is not a traditional diary in fact the importance of this book does
not depend on that.
Be them poetry, be them tales, be them memory, be them aphorisms, the author’s
pen keeps
provoking in a way sometimes
heavy and
violent which nothing forgives
even going
beyond unimaginable limits.
He tells about Rome then abuses the Pope, remembers a few friends then he
provokes everyone and back to Rome he returns
and so on.
Very many pages are focused on sex but not in a normal way: even in this case
he pushes himself towards very rough horizons.
Male sex, female sex, mixed sex, paid sex, masturbation.
Without any concern of judgement.
I have liked very many pages written by Marcello and stricken
with great interest.
His provocation is not an end in itself but
a means to
open the readers’ eyes, a cold water bucket to save them.
And to conclude I add I have found tender poems and delicate
verses to witness that the artist is also a poet and viceversa.
I one of the last pages Marcello hands the reader his will:
“To the survivors:
let the vultures
strip my flash away
from my body,
so I will be able
to fly at last”.
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